1. Download Free Marco Benevento Live At Tonic Rarity

With his work has one-half of the Benevento-Russo Duo, Marco Benevento has helped fuse elements of indie rock, improv jazz and jam band aesthetic, exciting nationwide audiences in clean concert halls, smoky bars, and muddy, open-air festivals like Bonnaroo and Austin City Limits. Benevento is a student of the piano, trained at Berklee School of Music, but he seems most comfortable when surrounded on all sides by a collage of black and white keys, assorted buttons and knobs, trigger pads, guitar pedals, and an intriguing mix of circuit bent toys.Invisible Babies is a collection of Benevento-penned tunes that for lack of a better word 'didn't work' with band mate Joe Russo. After a guest stint at New York City's famed Tonic, Benevento came to the realization that the time for a solo record was now. Drummers Matt Chamberlain (who's recorded with everyone from Tori Amos and Natalie Merchant to Brad Mehldau and most recently Critters Buggin) and Andrew Barr (The Slip) and bassist Reed Mathis joined Benevento for the recording of Invisible Babies.

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Download Free Marco Benevento Live At Tonic Rarity

For more than a decade pianist Marco Benevento has been amassing an extensive body of work. His studio albums and live performances set forth a vision that connects the dots in the vast space between LCD Soundsystem and Leon Russell, pulsating with dance rock energy, but with smart, earthy songwriting to match. ”Benevento swings between rude-synth fun and high-speed piano breaks as if he were both Keith Emerson and McCoy Tyner.” — Rolling Stone“Benevento is actually a pop formalist, albeit a sneaky one, and, for all his improvisational chops, a textural minimalist very much in the tradition of Brian Eno or Sigur Ros. Chaos and chance are the calling cards, but his songs are always accessible.” — Village Voice“Benevento uses everything from hip takes on '70s pop balladry (particularly the lonesome sound of Jackson Browne's piano playing and the decorative flair of Elton John's) to Radiohead's stretched-to-the-limit sense of time, The Pixies' humor, Air's electronic color palette, and They Might Be Giants' humorist experimentalism to make something uniquely his own in song form where improvisation, rhythm, sound, and space are the new thing.” — All Music Guide.