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By Mark WherryApple have made over 200 improvements to their flagship music production bundle. Can they win over new friends while keeping Logic's core user base happy?Logic 9 comes with three new demo Projects from well-known artists. Here you can see 'Spaceman' by the Killers making use of the Arrange window's new Notes area. Notice also the subtle improvements in the clarity of the EQ graphs and the bolder line around the area of the Arrange window that has focus. It's the little things that count.A new release of Logic is always cause for excitement. For myself, part of this reaction can perhaps be attributed to nostalgia: I've been using the application since version 1.7 in 1993, with fond memories of each subsequent upgrade. Since then it's undergone many changes, not least the buyout of parent company Emagic by Apple; and like its version 8 predecessor, Logic Pro 9 ships as part of a bundle with Main Stage, the application designed to facilitate the use of Logic's instruments and effects in a live rig, and Soundtrack Pro, a separate program designed for those working with audio for media post-production.

This review will, for the most part, concentrate on Logic Pro 9, and we'll look at the remaining parts of the bundle in a future issue.The first change in the new Logic Studio bundle will strike you the moment you see the packaging. The box is significantly smaller than before, which raises the question: where did those large printed manuals go?According to Apple, most customers use only the electronic documentation (which makes one wonder why there is such a healthy market for third-party books that explain Logic!), and the printed documentation is now limited to three small booklets, similar in appearance to the libretto pamphlets that accompany recordings of operas. One is an installation guide, while the other two are so-called 'exploration' guides for Logic Pro 9 and Main Stage 2. Supplementing these guides, which are also supplied as PDF files, is a collection of reference manuals that make use of an HTML-based help system (you can also read them on-line at Apple's web site). Thankfully, these were also made available as PDF files a month or so after the initial Logic 9 launch.A surprising omission is the lack of a document describing only the new features, as has been supplied with previous versions. For existing users, it's quite handy to read about the new features, especially when investigating smaller changes such as new key commands, and I really hope Apple fill this void at some point.Logic Studio is still supplied on an almost overwhelming number of DVDs — nine in total, one more than before — and accompanying the applications themselves is an abounding quantity of content, including a complete set of Apple's JamPack sound libraries. In addition to the original five JamPacks, you now also get the latest Voices JamPack as well, and in fact it would cost more to purchase these JamPacks separately than to buy Logic Studio itself!You'll need to put aside an hour if you choose to install everything, depending on the speed of your optical drive, and I find it handy to create disk images of Logic Studio's media with Disk Utility.

While this is also a laborious endeavour, every subsequent installation of Logic is significantly faster, as you can simply mount all of the images, run the installer, and come back in less than 15 minutes with the procedure complete.When Flex View is enabled, the Flex Mode button on track headers enables you to select which Flex Mode should be used for a track.Perhaps the most significant new feature in Logic Pro 9 is Flex Time. If you're familiar with Cubase's Audio Warp feature, or Elastic Audio in Pro Tools, this is essentially Apple's take on such methods of non-destructive, tempo-oriented audio manipulation. You've been able to set audio regions to 'Follow Tempo' since Logic 7, making it possible for Apple Loops and other audio material recorded in Logic to be automatically time-stretched to play back at the Project's tempo, but Flex Time goes much further.Rather than simply time-stretching an audio region, Flex Time analyses audio regions and creates a series of markers at transients that identify musical beats in the audio. For example, given a bass‑drum recording, Flex Time will theoretically create these so-called Flex Markers for each bass‑drum hit. One unwelcome change in Logic 9 is that Apple now specify a Mac with an Intel processor as a minimum requirement. However, despite this recommendation, all the applications in the Logic Studio bundle — including Logic Pro — are in fact Universal Binaries, meaning that they should be compatible with both Power PC and Intel‑based Macs.

I didn't have the opportunity to test Logic 9 on a Power PC‑based Mac, but in theory there's no reason why it shouldn't work, although you may not get the best performance, especially with newer features like Flex Time. The only issue to bear in mind if you do attempt to run Logic 9 on a Power PC-based Mac is that you'll get no support if you run into problems. The new Varispeed feature is accessed via the transport bar. The Varispeed display and button, along with the tempo, are indicated in orange when the feature is active.Another new Flex Time-related feature in Logic 9 is Varispeed. As the name suggests, this imitates speed variation on a reel-to-reel tape recorder. To use Varispeed in Logic, you need to make the Varispeed display and button visible in the Transport Bar by right-clicking and using the Customise Transport Bar feature, as they're hidden by default, which is a little cumbersome.Three modes of Varispeed are provided.

Perhaps the most frequently used will be Speed Only, which allows you to slow down the playback of a Project, record a new region at the slower tempo, and then have everything play back at the correct tempo — even if you were recording audio — when Varispeed is disabled. You can set the Varispeed playback rate by specifying a percentage, a tempo, or a tuning in either semitones and cents or Hertz. These last two options are useful when working with the other Varispeed modes: Varispeed (Speed and Pitch) and Varispeed and MIDI.When the Speed and Pitch mode is selected, Logic works like a tape machine, where pitch is also affected by the playback rate, so if you record at half speed, your recording will sound an octave higher when you return to the original tempo. This can be useful for more creative approaches, such as recreating that Oldfield-esque double-speed guitar.

In Varispeed and MIDI mode, Logic will automatically transpose MIDI notes on External MIDI tracks to match the pitched output of the audio-based tracks to the nearest semitone, which is a thoughtful option. The Import Tracks view makes it possible to import selected features of tracks from other Projects.Copying data between different Projects in Logic has never been a particularly enjoyable task. Anything more complicated than dragging a few regions between open Projects was often quite time-consuming, and bringing in a track from another Project meant a great deal of manual labour: creating a track, dealing with Channel Strip settings, and so on.

But not any more: Logic 9 introduces a new Track Import view that makes it easy to import tracks and channels from another Project.Track Import is built into the Media Browser tab in the Arrange window, so you simply navigate to the Project containing data you want to import, double-click the appropriate Logic file, and the Browser will display a list of tracks and channels. You then choose which ones you want to import, and whether you want the content from the tracks, the plug-ins, sends, I/O, and even the automation.Perhaps my favourite aspect of the Track Import function is that Logic's developers didn't just stop with the ability to add tracks from another Project: there's also the ability to replace tracks. This means that if you have, for example, a vocal track in your current Project, but there's a vocal track in another Project with precisely the plug-ins and settings you want for your current track, you can simply replace your current track with the track from the other project, while keeping the content from your current track intact. No, that's not the sound of Meg Ryan in When Harry Met Sally, but actually the sound of a Logic user discovering that Logic 9 finally has the ability to use millisecond-based delays on tracks, as well as tick-based delays.

This is useful for both technical reasons, such as dealing with latency, and creative ones such as having notes begin just ahead of the beat if a sample has a slow attack. It was impossible to achieve these results properly with a delay specified in ticks because the length of the delay would vary depending on the tempo.So now, by default, the Delay parameter in the Track Parameter box for External MIDI and Software Instrument tracks sets a delay in milliseconds, although you can still revert back to the tick-based delay if you prefer. There's even a third option for External MIDI tracks called Auto Compensated Delay Offset, where Logic will delay MIDI data on a given track by the current plug-in delay compensation and audio hardware output offsets, along with the user value specified (in milliseconds). Yes!Many Logic users have also asked for the ability to display multiple Hyper Draw lanes simultaneously in the MIDI editors.

Unfortunately, it's still not possible to do this in Logic 9, but on the plus side, Apple have at least expanded the number of key commands to select what type of data is displayed in Hyper Draw. And without having the ability to see multiple Hyper Draw lanes, the next best thing is being able to quickly switch the type of data the one Hyper Draw lane displays.In previous versions, Hyper Draw key commands were only available for Volume, Pan, Modulation, Pitch Bend and Note Velocity types; but in Logic 9 a number of other common Controller types have been added to the list, such as Foot, Expression and Sustain. Hyper Draw key commands have also been created for the MIDI Controllers 20 to 31, which is an undefined range typically used for custom assignments. And while I think it would still be good have Hyper Draw key commands available for all controllers, I'm really happy that Logic's developers were able to add the extra controllers they did for this update. As with any major update, there are many more improvements and features that lie beyond those headlining Logic 9's release. Apple claim that there are over 200 new features in the new Logic Studio, and it certainly seems that a large number of these are to be found in Logic itself.A subtle improvement that you'll notice immediately is that it's now easier to see which editor is active in the Arrange window. Previously, the toolbar for a given area became tinted when it had focus (meaning that it was the primary target for key commands), which wasn't always obvious at a glance.

The active editor has now been made more obvious with the addition of a bold white outline — and while this might sound insignificant, it actually makes a big difference.There's also a new way to open editor windows in Logic 9. As with Logic 8, the tabbed buttons along the bottom of the Arrange window toggle the display of integrated editors in the Arrange window; but you can now also use these buttons to 'tear' away an editor into its own window. Simply click on a tab and drag away from it until you see a new window appear.One potentially useful visual improvement is the ability to resize the graphical editors of Logic's plug-ins to twice their normal size. This will be helpful for users working on large-resolution displays. A new Default Size preference enables you to set how large plug-in windows appear when opened. However, this sizing only works for Logic's own plug-ins, and, unlike some third-party plug-ins (such as u-he's Zebra) that offer a similar feature with smooth vector graphics, this new resize function only seems to manipulate bitmap graphics. So the result of the larger plug-in windows is a somewhat grainy display, and is not nearly so sophisticated as Live 8's Zoom Display, which redraws the entire user interface at different magnification levels.Moving away from the more aesthetically oriented changes, the Arrange window offers a new Notes feature, which appears in the right-hand area of the window.

Notes can be made for the Project, and also for each track individually, making this feature handy if you ever need to write down reminders for edits or certain settings and can't remember where you left the Post-Its.Logic 8 introduced the ability to compile the perfect take using Take Folders and a mode called Quick Swipe. The only slight drawback to Take Folders was that you couldn't edit the takes in the same way you would edit regions normally. Logic 9 enables you to toggle Quick Swipe when working in Take Folders, so that, when disabled, the normal methods for editing regions in the Arrange window, such as cutting and moving, can be applied.The list of improvements goes on and on, and before I run out of words, I should give honourable mentions to the ability to include or exclude solo from mix groups, and some very handy transient‑related key commands such as Forward and Reverse by Transient, which allow you to move the cursor to the next or previous transient in the selected audio region.

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And, last but not least, like GarageBand, Logic now saves a screenshot of the Arrange window with the Project, which Finder uses as the icon for the Project and the Quick Look Preview. As a guitar player, I welcome Logic 9's new Amp Designer and Pedalboard plug-ins, which go far beyond what Guitar Amp Pro offered in previous versions of Logic. There's not space to examine these in detail here, so we'll cover them more fully in a future Logic article.Although every manufacturer imparts a slightly different character to their models of the popular amp types, my first impression of the Logic collection was that it works as well as most stand-alone packages, especially for the mildly overdriven blues sounds that are often the hardest to nail. The sounds have a nice up-front character to them without being hard or gritty (unless they are supposed to be) and though some of the high-gain sounds can get a bit noisy, you can always patch in a gate.Not everyone likes the aesthetics of the guitar-pedal screen, but I found it perfectly acceptable and very easy to use. I particularly like the way the signal can be split to set up a stereo effects chain with different pedals in each arm, and the convolution-driven spring reverb sounds very real to my ears. Pros.

Flex Time is one of the easiest-to-use implementations of tempo-oriented audio editing yet seen. EXS24's usefulness in Logic has once again been expanded with the new audio region conversion and drum-replacement tools. The new Amp Designer plug-in sounds surprisingly good, and even though it's designed for guitarists, such an effect, along with Pedalboard, can easily be perverted for other uses. Many smaller improvements and features, such as Bounce In Place and the ability to easily import content from other Projects, will make a big difference to demanding Logic users.

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